ELAM, KEIR. The Semiotics of Theatre and Drama. London and New York,. Metheun, pages. Now and then a book comes out which opens a new . : The Semiotics of Theatre and Drama (New Accents) ( ): Keir Elam: Books. KEIR ELAM. The Semiotics o/Theatre and Drama. London and New York: Methuen. In a previous article published in (Sub-stance, 18/19), Keir Elam.
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Elam traces the h The late twentieth century saw an explosion of interest in semiotics, the science of the signs and processes by which we communicate. In this study, the first of its kind in English, Keir Elam shows how this new ‘science’ can provide a radical shift in our understanding of theatrical performance, one of our richest and most complex forms of communication.
Selected pages Title Page. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
The Semiotics of Theatre and Drama by Keir Elam
Mak Ka-Fai rated it really liked it Jun 02, Lists with This Book. Refresh and try again. And if so, how does it take place? Thanks for telling us about the problem. Open Preview See a Problem? There are no discussion topics on this book yet. David Hildner rated it really liked it Jan 06, Between the two is a chapteron dramatic logic ch.
Hamoun Dorfaninezhad rated it liked it Dec 16, In lieu of an abstract, here ksir a brief excerpt of the ov Jan 05, Katie marked it as to-read.
My library Help Advanced Book Search. From what I read, Elam seems to take the principles theqtre semiotics–which one can get pretty thoroughly from a book like Barthes’ Elements of Semiotics–and apply them to the theatre as a complex system of signs borrowing from multiple sub-types of semiotic study e.
The Semiotics of Theatre and Drama – Keir Elam – Google Books
The advantage of this table is that it shows us the extremely complex networks which a simple perfonnance sets up in the theatre. Rahul Sharma rated it it was amazing May 16, Want to Read saving….
Annamaria Martinolli rated it really liked it Oct 17, Virginie rated it it was amazing May 10, Elam devotes considerable space to this second point in his third chapter, no longer dealing with the theatrical sign, but tackling the much broader issue of theatrical communication. From the brief historical overview in his first two chapters. London and New York: Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
Books by Keir Elam. In the course of his study, he touches upon the ‘logic’ of the drama and the analysis of dramatic discourse. One of t Second Review: Without cookies your experience may not be seamless.
The Semiotics of Theatre and Drama
Dhivya rated it it was amazing Jan 07, The Semiotics of Theatre and Drama New accents. Elam’s entire book is based on this fundamental theoretical difference; its two main axes according to the amount ofspace and importance assigned to them are: It is a mechanism which can be grasped only while it is in motion, elak falls apart as soon as it stops.
Is there such a thing? Elam draws up an impressive chart of all of the possible levels on which a play may be understood: Built on the Johns Hopkins University Campus. Elam next turns his attention to the dramatic text, as indicated Nor can it be made to repeat itself in order for us to understand its subtleties and structures more easily.
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